There are places where the boundary between worlds feels thin. The French island of Sein is one of them. According to old legends, during Samhain, mystical boats would arrive here, guided by invisible sailors. They carried the souls of the departed to their final destination, moved by an unseen, inexplicable force. The island, once home to druidesses, became a special harbor.
The name Sequana appears in temples near Sein and is sometimes believed in France to have been a title of the White Goddess Nehalennia. Priestesses would take on this name. This image of a goddess ferrying the deceased across water is not unique to one region. Along Europe’s coasts, similar stories emerge: in the south of the Netherlands, swan-drawn boats were said to carry souls onward, while in Ireland, tales tell of rowing boats leaving silver trails across the water—where the White Goddess herself shimmered in the drops and foam.
These ancient visions inspired me for the track Visions on the Water. In a world where Pagan funeral music is rare, this piece offers an alternative ritual—with a song about grief, remembrance, and transition. The chant in this track holds a subtle layer, because the Breton word tonn means “wave.” Here, water becomes more than an element—it is a vessel of stories, a mirror of the unseen, and a pathway for those who are saying goodbye.
Click on the image below to watch the video clip.
